These channels are mainly operated by the communication Turkey Phone Number List department and not by the curators. Actors or technicians. As a marketer you have knowledge about the online tools that your cultural institution uses. But online communication is often in the service of events, exhibitions and performances. And not the long-term strategies of your organization. What stories Turkey Phone Number List of your organization can you tell online? How can you activate your target group? Highlighting a permanent collection. Giving glimpses behind the scenes, and telling stories of employees. They are all great ways to communicate online. What is striking is that much communication online currently requires a certain cultural knowledge of the followers.
A Manager Who
Something that is often automatically discussed offline in the Turkey Phone Number List museum or theater itself. Think of room texts, a program book or preliminary discussion. Giving context to your collection It could be related to the fact that online Turkey Phone Number List communication (particularly on socials) is often associated with short and to the point. And not with long stretches of text. So try to provide context in multiple posts or create different sections. This way you can refer to previous posts. Some ideas to give more context to your collection or organization: A masterclass in art/theatre history online. There are a lot of online tools that allow you to record videos and/or give a live tour.
Is Dealing With
Start with the outdoors: how does it feel to enter your Turkey Phone Number List museum, theater or institution? Go back to the history of your cultural institution. For what purpose did this actually come about? Is this still coming back? In addition, involve art and theater history Turkey Phone Number List to the present. Why is something that has been around for so long still relevant, hilarious or comforting today? International Theater Amsterdam (ITA) has an actor read a story from Boccaccio’s Decamerone every day . In the 14th century, this Italian poet described how a group of ten young people fled Florence, where there is a plague. During their stay far outside the city they tell each other stories, as an ode to life.